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·ùÀ庹î÷ / RYUJANGBOK / ׳íåÜà / painting

2008_0501 ¢º 2008_0520






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Tel. +82.2.722.6405

www.artda.co.kr




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·ùÀ庹_2007-04-14 ÇÑ°­-¸Á¿ø°ø¿ø_ĵ¹ö½º¿¡ À¯Ã¤_100¡¿100cm_2007




The mining town Cheoram is like an inland harbor. The tired lives of the miners, who wandered about in the world of the underground in search of veins of coal, is melted in there. There was a time when the economy there was booming, the extent that there was a saying that "even dogs went around with KRW10,000 bills in their mouths, however, starting from 1988 when the Olympic Games were held in Korea, the coal industry took a downturn. It was because the main energy source was replaced with oil. The abandoned mine town Cheoram was returning to the time of nature. Beyond the bright lights of the city, Cheoram remained to be black, and a sense of debt tucked away in the corner of a stranger's heart began to come back to life. ¡Ü Cheoram seemed as a neighborhood in the outskirts of Seoul taken and placed in the mountains of Gangwondo. As if I were recovering the lost memories of my childhood, I was about to shed tears in delight. Seoul has long given up its spider web-like allies, plywood shacks on the slopes ofmountains, and the soft unpaved roads to a glass city that resembles a bunch of match boxes. A concerned scholar once reported that the mental social cost caused by the logic of reckless development had already surpassed the development profits and reached a critical point. Wouldn't life become more abundant if people continued to be nostalgic about their unique memories of the past? ¡Ü Under the beating afternoon sun, I stood facing Cheoram. The subject before my eyes looked at me. I attempted to welcome it. But when I drew a line with my charcoal, the subject escaped from between my fingers. Charcoal particles broke off and rolled around at the end of my moving hand. I stared at my arm for a while as it flapped around like a carp out of water. The black charcoal and white paper gradually turned into light and shade. A world of objects, where objects sense without any medium between life and death, spread out before me. If the first freedom was there, it was not the freedom to choose, but the freedom to begin. ¡Ü The Cheoram pictures are Cheoram itself. They are a painterly documentation, expression and communication with Cheoram, exhaling its last weak breaths, made with the body of an artist. Then there was the gigantic coal-dressing facility standing solemnly, the mountain ridges always changing under the sun of the highlands throughout the four seasons, grasping my sights, and the occasional village people blocking my view, as if to not be forgotten. Cheoram remains as an eternal homeland deep in the souls of those with the experience of inhaling coal-briquet gas. The right to color Cheoram beautifully is bestowed upon us, and upon me. ¡á by RYUJANGBOK



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